Stalkera nejak tak beru jako oslavu outsiderstvi a jiste specificke slabosti, na kterou se napr. Frick stiti i pomyslet a pripustit jeji existenci (rika tomu anarchie), ale ktere se snazim drzet, kdyz to jde:
...because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.
^tohle uz jsem sem myslim kdysi psal
Stalker je dobrej film pro sazkare, protoze vymyslet neco o zapasu, zhodnotit vsechny ty protichudne vlivy v kurzech, pravdepodobnostech, pocasi, forme atd (podle toho kdo co pouziva). je jako vstoupit do Zony. Rekneme ze Tradewind je Stalker. Sazi urcitym dost jasnym zpusobem, ktery je pro ty, kdo ho ctou, vcelku pochopitelny. Je jako ten Stalker, co hazi matkama po Zone a je schopen ji projit a vratit se (s vetsim bankem). Ale do Zony se da jiste proniknout i jinak (treba na sneznicich, co ma jedna 2 a druha 3 skejtova kolecka co ja vim..to ve filmu neni). Ale naucit se pohybovat v te zone, idealne zas aspon trochu jinym zpusobem (prestoze vsechny zpusoby=cesty vedou do jadra zony), to chce znovu najit tu slabost.<div style="font-size: xx-small;color: #0000ff;display: inline-block;text-align: center;width: 100%;">
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